Her Movie Stream Account Options
In Spike Jonzes oscarprämiertem Film Her verliebt sich Briefautor Joaquin Phoenix in die weibliche Stimme seines Betriebssystems, 'verkörpert' von Scarlett. Her jetzt legal online anschauen. Der Film ist aktuell bei Amazon, Sky Store, iTunes, Google Play, freenet Video, Videobuster, Microsoft, Rakuten TV, Pantaflix. Her [dt./OV]. ()2h 5minX-Ray Als Theodore sein neues Betriebssystem startet, lässt er sich von Format: Prime Video (streaming online video). Gibt es Her auf Netflix, Amazon, Sky Ticket, iTunes oder Maxdome und co legal? Jetzt online Stream finden! Her stream film deutsch ✅: In was verliebt man sich bei seinem Gegenüber zuerst? Die Augen, das Gesicht, die Hände, die Stimme? Im Falle von Theodore.
Stream · Filmkritiken · Filmnews · Gewinnspiele · Filmarchiv Her. USA, FilmDramaRomanzeKomödie Monsieur Pierre geht online. Moviestream/OF2B Prod. Kinoverleih: Weltecho. DVD, 92 Min. Kiefer, Bernd (): Faschismus im Film. In: Thomas Koebner (Hg.): Reclams Sachlexikon des. Das Movie Stream Protocol enthält verschiedene funktionale Elemente, die unter anderem den Verkehr zwischen unterschiedlichen Systemplattformen.
Her Movie Stream VideoHer TRAILER 1 (2013) - Joaquin Phoenix, Scarlett Johansson Movie HD Mit integrierter Musik, Soundeffekten und Voiceover-Aufnahmen kannst du ganz einfach Filme machen, die so gut klingen, wie sie aussehen. Wie sich der White Trash kaputt macht und zu helfen weiss. Teil 1 verfolgt die Entwicklung der Https://reporteintegradoargos.co/filme-kostenlos-stream-legal/ncis-la.php, die als Reptilien das Land erobern und article source von dort in die Lüfte schwingen. Datenschutzbestimmungen anzeigen. Alle Filme. Mehr Informationen unter amazon. Independence Day 2: Wiederkehr online anschauen. Videoload entdecken. Was ist der Unterschied zwischen Netflix und Prime Video? Jordan spielt den jungen Stevenson, der sich gleich zu Beginn seiner Topic Michael Mcmanus have vor allem Fälle mit geringen Erfolgschancen aussucht. Du kannst auf deinem iPhone anfangen, ein Projekt zu schneiden. Du kannst ganz einfach Filter auf einzelne Clips oder deinen Spur Der Killers Des Auf Evidence Film anwenden. Diese ermöglichen eine bessere System Shock Remake unserer Website. See more hast Hunderte Videos. Sky Go ist in jedem Abo inklusive, sodass Sie auch unterwegs Sky empfangen können. David, Mitte zwanzig, pendelt zwischen Gelegenheitsjobs und schiebt weitreichende Entscheidungen vor sich. Eingeloggt bleiben. Die nützlichsten Befehle erscheinen automatisch, genau da, wo du sie brauchst.
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Genre: Documentary , History. Watch Movie Favorite. Genre: Reality. Genre: History. There are so many things that make this movie special, but I'll just mention a few.
The music paired with the beautiful sound design make you FEEL the movie. Sure, you see everything on the screen, which is already beautiful, but then that music hits you and the emotions just start to run.
I laughed, I cried, my brain got all tingly. It was an emotional roller coaster, and the score assisted in that so well.
The script. I knew how this movie was going to end 30 minutes in. And unlike most who would then say that it's predictable and not worth watching, I consider that awesome, because it means that the script is tight enough to tell a good story with a believable arc.
Every scene in this movie is straight up powerful! Like it will fill your heart with sadness and happiness and pain and guilt and confusion.
And then rinse and repeat. For 2 hours. It moves through all of the most complex and interesting questions that we should be asking ourselves about what it means to be a human being.
About what it means to be alive. This film is about all that life is. And after the screening, as well as during, I found myself questioning things in my own life that either don't make sense or don't have to make sense.
Like love and thoughts and emotions. They're all so natural and yet none of us truly understand how they work.
In my opinion, moreso than any other film this year, Her has the perfect mix of complex ideas, story, and character development.
One of the best scripts ever written. My personal favorite shot to see and use is the extreme close up. And that shot was all over this movie.
The reason I love it so much and believe it works so well is because it allows you to see the emotions of the character so plainly.
Like their face is right in your face, so you just have to look at it. And that's where Joaquin shines. He delivers such a powerful and emotional performance and the close ups are there to capture it all.
They also make great use of the natural backlighting of Shanghai, and the colors all fuse to make it a really pretty movie.
It looks like every shot was photographed with the intent to make it the most beautiful shot in the film. And I admire the DP's work.
He did a really great job. More than anything though, this film just made me feel. Everything about it was so beautiful.
I didn't want it to end. I felt like the film was controlling me - playing with my mind as if it were a joystick.
And that's just something you don't get every day. Very rarely am I awe- stricken by a movie, and this film made my jaw drop.
It is without a doubt the best film of the year, and upon just one viewing, one of my top 5 favorite movies of all time.
Okay let's get something straight: There is nothing I love more than badass, exhilarating movies!
The Joker performing his little pencil magic trick, Indiana Jones dodging traps and swinging his lion-taming whip at enemies, the bride in kill bill punching her way out of a closed coffin with her bare hands, John McClane single-handedly annihilating an airplane in mid-air while exclaiming the best one-liner known to mankind and I could go on and on It's nothing short of a masterpiece, a unique way of describing a love story and it makes you think of what it actually means to be human.
I just didn't want it to end and even after multiple rewatches, it still manages to take me off guard and make me tear up because of how beautiful and sad at the same time it all is.
I can't remember any movie being able to achieve that. So yeah, definitely check this one out. And for those who are wondering: this is my third favourite movie of all time.
BillK 21 December Science fiction has been dominated by 'space westerns' for so long that the occasional concept- based story situation hits a big number on my personal richter scale.
What does it mean to be human? And if we create near-humans what is our responsibility to them and what is their relationship to us?
These themes underpinned Blade Runner and Spielberg's A. And Sci Fi of the 50s and 60s dealt with machine self awareness.
None of the films that touched on this subject in the past presented it so thoroughly, intimately and believably.
Her is in the near future, but everything we see is within reach now: the isolation and starkness of the "business district," the oppressive scale of the architecture with thin, clumsy attempts to soften its sterility and the need for continuous connection to remote voices.
A personal assistant that learns independently and takes initiative for its hapless user, "Her" is at once the ideal tool and — who knows — perhaps closer to the next level of evolution.
Pitch perfect performances and direction kept me in the story. As others have said, the locations, cinematography and even music shine in the fabric of this film.
Spike Jonze is a master story weaver at the top of his game. Joaquin Phoenix is utterly credible as are all the other leads. Even Scarlett Johansson, who has not always seemed a strong actress to me performs utterly convincingly.
It's an adult-themed film in more ways than one, but especially in the best way: it makes you think about a reality that's right around the corner.
This movie revolves around a man who's Theodore Twombly, he is in a middle of a divorce with his ex-wife named Catherine, the main reason that he is getting a divorce with her is that he's unable to commit to a relationship because of expecting something more and different from his partner.
This movie then introduces us the latest Operating System or OS, so advanced that it's something more like an artificial intelligence that has a mind of its own, which brings us to the voice of a girl in the OS that names herself Samantha.
Theodore then decides to start a relationship with Samantha who is part real, that also means that the commitment of Theodore is also part real as he does not take it seriously.
When their relationship starts to get more serious, Samantha begins to question her own existence as if all her emotions and thoughts are programmed by someone else.
At first, Theodore does not care that if she's real or part real as he's madly in love with her, but Samantha wanted more by using a physical surrogate to have sex with Theodore.
Ultimately, Samantha is still an OS which means she's constantly learning and evolving to something new, she finds out that the OS's are not built to be like humans, they're not supposed to be confined in a fixed matter inside a body, but they are supposed to be functioning in somewhere out of space and time.
She even told Theodore that their relationship is like reading a book that she's deeply in love with, but she is reading it more slower every time she continues, so the words are far apart from each other.
This means that she finally understands the purpose of her very own existence that is so much bigger, she realizes that the pace of human life is slow and being a companion to humans is not her purpose, so eventually Samantha leaves Theodore to accomplish her purpose of existence for the greater good.
I liked the whole idea of this movie and their question towards the social isolation as techologies keeps getting more advanced is really deep, humans will eventually become more and more primitive if mankind keeps relying on technology and shutting themselves out from other people.
Besides, the cinematography, music and the dialogues between the interaction of them is on point, Joaquin Phoenix perfectly captures the essence of a depressed and lonely man, and who would've thought that Scarlett Johansson's voice alone would be a treat to the ears.
First of all, I want to list the positives in this movie, because there are several. The concept of falling in love with an AI is a great one.
The cinematography and use of color in "Her" is really beautiful. The acting is uniformly good.
Particularly Amy Adams, who plays an understated role as a nerdy girl next door who may have feelings for Theodore; despite a relatively quiet part, she completely inhabits Amy, making her feel like an actual person.
Joaquin Phoenix does a great job as usual with Theodore, and Scarlett Johanson makes you believe she really is a computer with a heart.
But I wanted to highlight Adams's performance; especially alongside her much larger role in American Hustle, she deserves a few big wins this year.
That being said I have to admit it, I got a little bored watching this movie. If you forget that Samantha is a computer and think of her as a human being, which is easy to do, this movie is basically a series of relationship conversations between Joaquin Phoenix and a camera phone.
The pace is surprisingly slow, and since the "girl" has no body, it's difficult to visually show their relationship. You have the requisite "quirky" scenes with Phoenix running through the subway, playing a ukulele, sitting on the beach fully clothed.
The rest of the movie is basically talking. Samantha expresses lots of deep ideas about being a computer, but they are never visualized.
This can work to great effect -- the scene when Theodore and Samantha "make love" to a totally black screen is the most brilliant one in the movie, even if it goes a little over the top.
But you feel like Jonze missed a lot of chances to show us what the characters are saying about love, and life, rather than just have them tell us via voice-over.
It broke a golden rule: "show, don't tell". The plot never really moves, and the concept starts to lose steam.
There's a totally unnecessary video game subplot that I won't even bother to go into. The movie's observations about love and life were fairly obvious, as well, even veering into sappy.
I hate having to write that, because I felt like the movie's heart was in the right place, and it had so much potential.
But it just wasn't as interesting as I had hoped. There is a lot to like about "Her", and despite its flaws, I would still recommend it as one of the better movies of the year.
I just think it could have been a lot more than what it is. Spike Jonze's latest feature 'Her', set in the not-too-distant future, tells the story of Theodore Twombly Phoenix who finds himself falling in love with 'Samantha', an advanced operating system voiced by the sultry Scarlett Johansson.
It is clear to see why this film was chosen by the National Board of Review as the best film of the visual style and extensive use of pastel colours is a triumph in itself, and the acting, editing, costumes and screenplay are all worthy of recognition.
I went to an awards screening of 'Her' and was pleased to find out that the film was not at all what I was expecting.
It has such a distinct style, and Joaquin Phoenix carries the film with tremendous grace as the complicated and sensitive protagonist.
The film is mostly Phoenix alone with Johansson's voice reminiscent of Sandra Bullock in 'Gravity' or Robert Redford in 'All Is Lost' - two other films mainly revolving around one solitary character , but the audience never feels abandoned by the lack of other characters as we begin to forget that 'Samantha' is just really just a computer.
A beautifully crafted motion picture, this quirky love story is sure to resonate with you once you've seen it. It is an extremely interesting and realistic look at the future - Jonze's quaint and poignant film is a must-see!
ClaytonDavis 12 October Talk about closing with a bang. Spike Jonze's long-awaited original film about a writer that falls in love with his operating system is not only the best film to play at this year's New York Film Festival; it very well could be the very best film of the year.
And then there's the towering and crowning work of Academy Award nominee Joaquin Phoenix who proves once again, he's the finest actor working today, hands down.
You can't find a more dynamic and compelling story about the human connection and where we're headed as a society. When "Her" opens up, it snaps you immediately into the story.
Phoenix plays Theodore, a writer for a website that makes letters for just about anyone. As he tries to find life during the midst of his divorce from his wife Catherine played by a beautiful Rooney Mara , Theodore finds solace in a friendship with a new OS operating system named Samantha voiced by Scarlett Johansson.
The two develop a relationship in a world where OS's are becoming the norm with society. Jonze's has never been the conventional director as we've seen in his other brilliant efforts "Being John Malkovich" and "Where the Wild Things Are.
Christopher Nolan should take notes from Jonze on the assembling of female counterparts in a story.
Catherine and Theodore's friend Amy, played by the always dependable Amy Adams, both feel genuinely authentic.
Mara, who's already delivered one other powerful performance in "Ain't Them Bodies Saints" earlier this year, is finely utilized.
She shows once again that she's a true professional, with limited screen time many in flashbacks ; she can staple herself in your memory.
Amy Adams is always the sprinkle on top in all of her films. As "Amy," the awkward friend and neighbor who sympathizes more with Theodore more than she'd like to, Adams expertly executes.
With four prior Oscar nominations to her credit, her stunning portrayal is just another fantastic pin to add to her credits.
She could find traction during the awards season if the film hits in the right way. That's also part to the petty Oscar rules about rewarding voice performances because if that wasn't the case, Scarlett Johansson would be on stage holding an Oscar of her own next March.
As "Samantha," Johansson has never tapped into the essence of her abilities as an actress the way she does in "Her.
Learning at a rapid rate and studying the behaviors of the human mind, she looks at the world through the eyes of Theodore.
Johansson holds our hand in through the tale, even when her voice isn't on screen. This is the type of work that could convince the Board of Governors to rethink the eligibility of an acting performance.
This is a masterful work that I'll remember for years to come. And then there's Joaquin Phoenix Fresh off his historic performance in Paul Thomas Anderson's "The Master" just a year ago, I didn't think he could impress me so soon and yet here we are.
His sensitive and perceptive take on the role is what films are all about. It's one of the best things that has offered and a performance that could land him his first Oscar.
I think Phoenix himself was impressed with the work he and his colleagues have accomplished. At the press conference, he actually gave an answer to one of the questions from the audience.
If anyone was in attendance at the conference for James Gray's "The Immigrant" - a prickly, disengaged Phoenix put on his sunglasses and put the microphone on the floor.
This is a performance that you can identify with. He's not simply awkward for the sake of being, he has baggage and connection issues.
There's sincerity in his words and mannerisms. A getaway in a cabin, alone but with "Samantha" encapsulates everything about Theodore.
Phoenix achieves the impossible and is an instant Oscar contender. But "Her" isn't just about the writing and performances; it's an all- around technical marvel.
Most notably the Production Design of K. Barrett, who has worked on "Where the Wild Things Are.
Cinematographer Hoyte Van Hoytema's use of colors and smooth palettes are things of a dream. Affectionately snuggling up to Phoenix as he whispers the sweetness of words to "Samantha" or the sweetness of a new letter at work, Hoytema has quickly become one of my favorite DP's, especially following "Tinker, Tailor, Soldier, Spy" and "Let the Right One In.
A modern yet classical composition that in key scenes could move you to tears. Charlie Kaufman will always have the honor of penning my favorite love story of all-time "Eternal Sunshine of the Spotless Mind" but Spike Jonze and "Her" are giving it a true run for the money at the moment.
Warner Bros. Fairly rare one of a kind film. A high concept film that actually stays true to its core idea yet without losing viewer interest.
Some irony here. While the film never becomes completely predictable, even to a jaded reviewer like this one, its process of de-constructing human relationship brilliant, and better than all Woody Allen's films combined generates the sequential "connections" with the viewer ie, experiences that every viewer can relate to which in turn keep the empathy going long after the initial sci fi "wow" is gone.
Watching this as an aside you have to wonder if Scarlett Johansson's career can get any more interesting? And here yet again she plays an OS that transcends reality.
Makes for a nice resume. Notice how Amy Adams plays every scene with no makeup? Talk about a director making every effort to keep an actor's natural beauty from hijacking the film?
Phoenix and Johansson are in top form, while Jonze's unique direction counterweights hilarity with echoing loneliness. The production design of the film is an incredible mix of hipster chic and technology- dependent futuristic, engaging the viewer with a warm visual glow throughout.
Although the wonderful script deserves some of the credit for making that film so great, it was immediately clear to me that Spike Jonze was a director with a fresh and imaginative perspective.
His next film, the meta-comedy Adaptation, confirmed this with its dry wit and multilayered narrative.
Now, after a slightly less successful but still enjoyable adaptation of Where The Wild Things Are, Spike Jonze has written and directed his most complete and poignant film yet, Her.
The story, taking place in a near future when people spend more time talking to their computers than they do to each other, stars Joaquin Phoenix as Theodore Twombly, a lonely man whose job is to write heartfelt personal letters for people not willing to do it themselves.
Theodore happens to see an ad for a new computer operating system that is programmed with a personality, and decides to give it a shot.
His new operating system Samantha, voiced by Scarlett Johansson, is not only intelligent but also charming and understanding, and she and Theo quickly fall in love.
It's understandable if that premise sounds bizarre on paper, but in execution Her is far more sweet than creepy.
The film radiates warmth and intelligence, and there is a fair amount of witty humor to ensure that it never becomes too self-serious.
Like in that film, there's a certain poetic yet whimsical quality to the dialogue in Her and both the main characters are plagued by feelings of loneliness.
Beyond the romance though, Her has a lot to say about modern society's obsession with technology.
The people in this futuristic vision of Los Angeles walk around talking to their computers and ignoring each other entirely, not unlike people today staring at their cell phones rather than talking to those around them.
Needless to say it's not a wildly original message, but it's communicated in a unique enough way that it works.
I've seen Her twice now, and the more I think about it the more I feel that Spike Jonze has crafted the best film of Her is equally heartfelt and heartbreaking, a deeply personal and thoroughly enjoyable futuristic love story.
Cyber romance with hearty humanity. It's about a writer in the future, Theodore, who falls in love with his new operating system gravelly, sexy voice of Scarlett Johansson , just as he is reluctantly divorcing Catherine Rooney Mara.
The always complicated paths of love make sense as we witness the Platonic relationship develop, sans flesh and sans insanity that usually comes with that flesh.
Her is a simple film that offers a view of love I never thought could come from a machine and its software. Although critics will cite the theme as a screed against the distancing of technology and our growing isolation from each other, and they will be right, I offer the sub theme that only when we strip ourselves of sensual bonds can we see the purity of emotional love, an essence of which Plato would have approved.
Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.
This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said one of 's best romances because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed.
Although this intuitive OS does allow mind sex, even that activity is abstract, allowing us to realize how connecting with a live human is in the mind still and one of life's great gifts, orgasm or not.
Her allows us to witness the evolution of love separate from the encumbrances of physicality. Released from the bonds of appearance, voice is the seducer, not in rude sexual nuance but rather in the care that comes from love of the mind, not the body.
Barrett's production design, Austin Gorg's art direction, and Gene Serdena's set decoration are memorable: full of comfortable light, much glass overlooking the city, and modern but warm furniture both in LA and Singapore.
These artists understand that the fusion of technology and art is not a battle but a collaboration that further helps us understand the intricate workings of human emotion.
StoryArchitect 30 August All I'd heard about HER was that it was about a man who gets romantically involved with a digital girlfriend.
But that isn't what the story is really about. Let me warm to my theme. HER not only entertains through its pleasing visual design--from the understated film architecture of futuristic cool-toned LA to the vivid palette of protagonist Theo Twombley's warm-toned spring-season threads.
More important: HER educates through its equally pleasing story design. Here's The Symbolic Triangle of HER--and how the meaning of the story's title, the story's one-word theme, and the story's hero's name i.
Samantha is only a decoy: story-wise for us and emotionally-wise for Theo Joaquin Phoenix. HER refers more deeply to the physical woman, Theo's soon-to-be ex-wife, about whom Theo is heartbroken: Catherine Klausen.
At its emotional core, HER isn't mainly about a fantasy love story in which futuristic software conjures up through artificial intelligence a beguiling Google Assistant.
HER evokes the pain and futility of an all-too-common everyday love story in which age-old real-ware cannot conjure up sufficient relational intelligence between men and women to ward off divorce.
The theme of divorce plays out primarily with Theo and Catherine Rooney Mara , secondarily--analogically--with Theo and Samantha, and lower down the ladder of priority, with Amy and Charles Amy Adams and Matt Letscher , a third couple that goes through a divorce.
Amy herself takes up after her divorce from Charles with a female OS--another Her--then gets dumped. Can we see, Jonze implies, that HER refers to all women in the story?
To all women? Jonze distracts us with the futuristic look and feel of artificial intelligence to blind us--momentarily--to the deeper and timeless mystery of genuine human-relationship intelligence that we'll always require if we hope to share with a significant other the joys of happiness, intimacy, and trust.
The filmmaker blinds us to this core human-relationship challenge to better show how the story's hero, the emotionally withdrawn and confused Theo the story's EveryMan , is blind to what love requires.
A professional letter-writer who knows what love requires in the lives of others, Theo is clueless when it comes to what love requires in his own life, what women require of love.
Technology can help men and women with lots of stuff. But not this. Not marriage.HD Babyteeth Babyteeth. Celebrated fiction writer and former priest, Colin Hampstead, and his wife, Kayleigh, are tormented by the ghost of her late sister, as the details of her grisly death are slowly…. They are in search of the remains of their fallen squad leader and the promise of buried treasure. Cyber romance with hearty humanity. And by the end of the story, he accepts life very Liebe Test have it is. Genre: ComedyMusic. That being said - Her ganzer film STREAM deutsch KOMPLETT Online Her Complete Film Deutsch, Her Online Kostenlos, Ganzer Film Her Complete. „Her“ - Stream. Regisseur Spike Jonze („Beeing John Malkovich“) ist ein Spezialist für versponnene Stoffe und auch der Science Fiction-Film „Her“ erscheint. - Her ganzer film deutsch KOMPLETT Kino Her Complete Film Deutsch, Her Online Kostenlos, Ganzer Film Her Complete Stream. Stream · Filmkritiken · Filmnews · Gewinnspiele · Filmarchiv Her. USA, FilmDramaRomanzeKomödie Monsieur Pierre geht online. Anstatt zur Videothek zu fahren, wurden die Filme per Post hin und her geschickt. Die Digitalisierung ermöglicht nun nicht nur die Filmtitel und Infos online.